Books published by publisher OUP Oxford

'there were only seven out of the twenty-six on whom we knew we could rely; and out of those seven one was a boy ...'When a mysterious seafarer puts up at the Admiral Benbow, young Jim Hawkins is haunted by his frightening tales; the sailor's sudden death is the beginning of one of the most exciting adventure stories in literature. The discovery of a treasure map sets Jim and his companions in search of buried gold, and they are soon on board the Hispaniola with a crew of buccaneers recruited by the one-legged sea cook known as Long John Silver. As they near their destination, and the lure ofCaptain Flint's treasure grows ever stronger, Jim's courage and wits are tested to the full.Stevenson reinvented the genre with Treasure Island, a boys' story that appeals as much to adults as to children, and whose moral ambiguities turned the Victorian universe on its head. This edition celebrates the ultimate book of pirates and high adventure, and also examines how its tale of greed, murder, treachery, and evil has acquired its classic status.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Jane Austen practising' Virginia WoolfThree notebooks of Jane Austen's teenage writings survive. The earliest pieces probably date from 1786 or 1787, around the time that Jane, aged 11 or 12, and her older sister and collaborator Cassandra left school. By this point Austen was already an indiscriminate and precocious reader, devouring pulp fiction and classic literature alike; what she read, she soon began to imitate and parody.Unlike many teenage writings then and now, these are not secret or agonized confessions entrusted to a private journal and for the writer's eyes alone. Rather, they are stories to be shared and admired by a named audience of family and friends. Devices and themes which appear subtly in Austen's later fiction run riot openly and exuberantly across the teenage page. Drunkenness, brawling, sexual misdemeanour, theft, and even murder prevail.

Ignite English aims to excite and motivate teachers and students by making learning relevant and supporting teachers. Addressing key concerns raised in recent Ofsted reports as well as meeting the needs of the new KS3 National Curriculum, the Student Books are structured around thematic units that cover a variety of forms as well as including unique immersive production based-units. Ignite English has a core focus on engaging students by connecting their skill development, through the theme of the unit, with Reading, Writing, Speaking and Listening skills used in a range of relevant and interesting jobs outside school.

'To die will be an awfully big adventure.'Peter Pan, the boy who refused to grow up, is one of the immortals of children's literature. J. M. Barrie first created Peter Pan as a baby, living in secret with the birds and fairies in the middle of London, but as the children for whom he invented the stories grew older, so too did Peter, reappearing in Neverland, where he was aided in his epic battles with Red Indians and pirates by the motherly and resourceful Wendy Darling.Peter Pan has become a cultural icon and symbol for escapism and innocence, remaining popular with both children and adults.In this collected edition, Robert Douglas-Fairhurst brings together five of the main versions of the Peter Pan story, from Peter Pan's first appearance in The Little White Bird, to his novelisation of the story, the stage version, and unrealised silent film script.This edition contains a lively introduction, detailed explanatory notes, original illustrations, and appendices that include Barrie's coda to the play that was only performed once.

In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed byEgyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British imagination across the centuries, and how it has impacted on popular culture.Tutankhamen was not the first curse story to emerge in British popular culture. This book uncovers the 'true' stories of two extraordinary Victorian gentlemen widely believed at the time to have been cursed by the artefacts they brought home from Egypt in the nineteenth century. These are weird and wonderful stories that weave together a cast of famous writers, painters, feted soldiers, lowly smugglers, respected men of science, disreputable society dames, and spooky spiritualists. Focusing ontales of the curse myth, Roger Luckhurst leads us through Victorian museums, international exhibitions, private collections, the battlefields of Egypt and Sudan, and the writings of figures like Arthur Conan Doyle, Rider Haggard and Algernon Blackwood. Written in an open and accessible style, thisvolume is the product of over ten years research in London's most curious archives. It explores how we became fascinated with Egypt and how this fascination was fuelled by myth, mystery, and rumour. Moreover, it provides a new and startling path through the cultural history of Victorian England and its colonial possessions.

Mountains cover a quarter of the Earth's land surface and are home to about 12 percent of the global population. They are the sources of all the world's major rivers, affect regional weather patterns, provide centres of biological and cultural diversity, hold deposits of minerals, and provide both active and contemplative recreation. Yet mountains are also significantly affected by climate change; as melting and retreating glaciers show. Given the manifold goodsand services which mountains provide to the world, such changes are of global importance.In this Very Short Introduction, Martin Price outlines why mountains matter at the global level, and addresses the existing and likely impacts of climate change on mountain, hydrological and ecological systems. Considering the risks associated with the increasing frequency of extreme events and 'natural hazards' caused by climate change, he discusses the implications for both mountain societies and wider populations, and concludes by emphasizing the need for greater cooperation inorder to adapt to climate change in our increasingly globalized world.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Oliver grew up in a family of explorers - but his biggest adventure is about to being!Along with his new friends, a grumpy old albatross, a short-sighted mermaid, and a friendly island called Cliff, Oliver goes off in search of his missing parents. But before he can put his rescue plan into action there's the evil Stacey de Lacey and an army of greasy, green sea monkeys to contendwith . . .

The boy lay in the silence of the great battlefield, gazing at his own hand spread on the ground beside him. The hand moved and he realized, with something like surprise, that he was not dead. His name was Owain and further up the hillside lay his father and brother, both killed by Saxonwarriors in that last great battle of Aquae Sulis.From that moment Owain knows that he must make his own way in the world and so begins his journey to face the many challenges that lie ahead.Rosemary Sutcliff is one of the greatest writers of historical fiction and Dawn Wind is an acclaimed and much-loved classic tale which will enthral readers old and new. This stunning new edition features the evocative original black and white illustrations by award-winning artist, Charles Keeping,which bring the story vividly to life.

You don't know about me, without you have read a book by the name of "The Adventures of Tom Sawyer", but that ain't no matter.So begins, in characteristic fashion, one of the greatest American novels. Narrated by a poor, illiterate white boy living in America's deep South before the Civil War, Adventures of Huckleberry Finn is the story of Huck's escape from his brutal father and the relationship that grows between him and Jim, the slave who is fleeing from an even more brutal oppression. As they journey down the Mississippi their adventures address some of the most profound human conundrums: theprejudices of class, age, and colour are pitted against the qualities of hope, courage, and moral character.Enormously influential in the development of American literature, Huckleberry Finn remains a controversial novel at the centre of impassioned critical debate. This edition discusses all the current issues and the evolution of Mark Twain's penetrating genius.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'My empire is of the imagination.' These are the words of Ayesha, the mysterious white queen of a Central African tribe, whose dread title, 'She-who-must-be-obeyed', testifies to her undying beauty and magical powers; but they serve equally well to describe the hold of her author, Henry Rider Haggard, on generations of readers.Writing 'at white heat', and in the flush of success after the publication of King Solomon's Mines, Haggard drew again on his knowledge of Africa and of ancient legends, but also on something deeper and more disturbing. To the Englishmen who journey through shipwreck, fever, and cannibals to her hidden realm, 'She' is the goal of a quest bequeathed to them two thousand years before; to Haggard's readers, 'She' is the embodiment of one of the most potent and ambivalent figures ofWestern mythology, a female who is both monstrous and desirable - and, without question, deadlier than the male.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Can't you see that I don't care what anybody says?'Charity Royall lives in the small New England village of North Dormer. Born among outcasts from the Mountain beyond, she is rescued by lawyer Royall and lives with him as his ward. Never allowed to forget her disreputable origins Charity despises North Dormer and rebels against the stifling dullness of the tight-knit community surrounding her. Her boring job in the local library is interrupted one day by the arrival of a young visiting architect, Lucius Harney, whose good looks andsophistication arouse her passionate nature. As their relationship grows, so too does Charity's conflict with her guardian; darker undercurrents start to come to the surface.Summer is often compared to Wharton's other New England story, Ethan Frome, and it shares the same intensity of feeling and repression. Wharton regarded it as one of her best works, and its compelling story of burgeoning sexuality and illicit desire has a strikingly modern and troubling ambiguity.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'the most romantic parts of this narrative are precisely those which have a foundation in fact'Edward Waverley, a young English soldier in the Hanoverian army, is sent to Scotland where he finds himself caught up in events that quickly transform from the stuff of romance into nightmare. His character is fashioned through his experience of the Jacobite rising of 1745-6, the last civil war fought on British soil and the unsuccessful attempt to reinstate the Stuart monarchy, represented by Prince Charles Edward. Waverley's love for the spirited Flora MacIvor and his romantic natureincreasingly pull him towards the Jacobite cause, and test his loyalty to the utmost.With Waverley, Scott invented the historical novel in its modern form and profoundly influenced the development of the European and American novel for a century at least. Waverley asks the reader to consider how history is shaped, who owns it, and what it means to live in it - questions as vital at the beginning of the twenty-first century as the nineteenth.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.